reload: offset by comfortnoise ploy (spfpod84)

– dubtechno, dub, reggae, steppers, halfstep
– total playing time: 1h/53m/03s (mp3/320kbs/260mb)
– compiled & mixed by comfortnoise ploy (a.k.a. xeed, new.com, iyah ranx & rjega)
– published as spiel:feld podcast 084 on may 7th, 2016
– cover picture: villa turc by le corbusier in la chaux-de-fonds, switzerland (photo by marius ‘comfortnoise’ neukom)


Continue Reading

new.com – powder blue – com03

Powder Blue by new.com

>>> see oli warwick‘s review on international orange on may 3, 2021
>>> listen to om unit (cosmic bridge; bristol) playing “milan”: swu fm june 2021 (w special guest pugilist)
>>> listen to orson (version; berlin) playing “cessation”: callshop radio 26.8.2021
>>> listen to bmo (bristol) playing “milan”: planet smorgasbord
>>> listen to junior playing “decoy”: accidental meetings podcast #54


Continue Reading

Published
Categorized as releases

new.com – the unity is submarine – com02

The Unity Is Submarine by new.com

>>> see the review on juno daily on march 18, 2021.

Ever since it was founded in 2003, Comfortnoise has featured events, podcasts, and texts rotating around mighty basslines in Techno and Dub. Now, NEW.COM («new-dot-com»), head of Comfortnoise, emerges with four of his own productions exploring the depths of dancefloor, even soundsystem-oriented music:


Continue Reading

Published
Categorized as releases

comfortnoise ploy – three strands – com01

Warning: Undefined variable $excerpt_more in /home/httpd/vhosts/dubexmachina.ch/blog.comfortnoise.com/wp-content/plugins/code-snippets/php/snippet-ops.php(582) : eval()'d code on line 33

Three Strands by Comfortnoise Ploy

Comfortnoise Ploy offers three heavily dubbed out tunes complemented by an ingenious, kind of shoegazing remix by Gaspard de La Montagne. Similar to what Comfortnoise Ploy play in their comprehensive live performances, these tracks are loose, lost-in-thought sonic patterns that do not quite obey any style or genre. They rather freely lean against Donald W. Winnicott’s conceptualization of three strands of communication available to an individual: The first is explicit, indirect and pleasurable, the second is intermediate by sliding out of the child’s playing into cultural experience of every kind, and finally and most


Continue Reading